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Posts Tagged ‘Romance’


Anyone who has read my blog for a while knows of my feelings about the fairer sex, about the ethereal magic they can cast around us like a veil of early morning fog, about the sublime notion of capturing lightining in a bottle, the sole genie that embodies all three wishes.

Painting is not one of my favorite tasks but with my iPod in my pocket it makes things much more bearable—until just the right song or two randomly get sent to my headphones. Two songs that rarely ever fail to make me pause, to transport me, if only for a few minutes, into a state of heart that at once tugs and takes you by the hand. “Come with me,” they say, “it’ll only be a few minutes.” And so I go, slipping into the softest spot my heart holds.

Brad Paisley’s Waitin’ On A Woman is one of them. A little tongue-in-cheek, but underneath lays a golden kernel of truth, one which speaks to the silken alchemy and inner divination women possess. This one smiles and beckons, then squeezes tight toward the end. If you know the song then I’m sure you can understand the sentiment.

Buy Me A Rose by Kenny Rogers has long had its way with romantic nature. This one always reminds me that gold may glitter but nothing that glitters is near as precious as that which we can’t see.

Two simple songs . . . two more insufficient attempt to convey one of man’s greatest puzzles.

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Romancing The Soul by Dorothy ThompsonIs there a difference between a ‘soul mate,’ ‘friend,’ or ‘acquaintance’? Certainly, I am in no way degreed or trained to say so with any force of credibility. But I would submit that even those who are, individuals who’ve spent years of their professional (even personal) lives in almost ascetic study of the human condition, would be hard pressed to affix a definitive “yes” or “no” to the question. It is chiefly a matter of individual instinct, more a sense of innate connection than physical definition—an essence of faith versus an easily digestible answer.

The question is undeniably intriguing; the answers as numerous as a star-filled night sky.

Dorothy Thomspn, and a host of contributors, make no attempt to compromise upon any one definition; they display a rational yet emotional antithesis to the one-size-fits-all school of pop culture. Romancing The Soul is a tour de force of very personal storytelling in the truest sense. Most of the accounts related could easily be construed as fodder for a movie script, yet their power comes from their firm roots in real life experience.

The stories speak not only of the individuals who experienced them, but also to the greater cosmogony of paired soul theory. Allusion is made to creation theory as it pertains to the soul, that through the passing of spiritual time all souls evolved in intimate union until eventually becoming one entity, which then divided and the two halves seek one another—”each half having not only its own gender, but a portion of the contra-gender.” This breaking up of a primal unity is echoed in the creation myths of many peoples the world over.

But Thompson and her contributors don’t delve into any theoretical forensics in search of universal answers. Doing so may have provided an intriguing framework from which to view the stories in, but would have tossed the empirical into the necessarily emotional, perhaps a bit like watching someone who has jogged in circles while touching their forehead to a baseball bat—they come away awfully dizzy and disoriented. Appealing to our better angels gives the book presence and an impressive personal jolt.

Two words spring to mind regarding this book: evocative and affecting. Even from a male perspective I can clearly perceive the emotional tug some of these stories contain. To list even a few examples here would only serve as distraction from the whole, but I can best convey the sum feeling with a movie-type analogy:

Think of any movie you’ve watched where two characters seem hell bent on remaining apart, whether through circumstance or willful control. Imagine the feeling you’ve had sitting and watching these people attempt to bond with others when you instinctively know that these two characters are meant to be together. Now try to recall the anxiety you may have felt each time one or the other is reluctant or outright dismissive—now recall the feeling you had at the end when they finally came together and how enitrely fitting it was for both of them . . .and you.

Many of these stories—more properly termed personal events, I suppose—engender that same slap in the face and tug upon the heart. If ever you have had doubts about the concept of a soul mate these episodes can only serve to squelch such dubiety and plant the seed of wonder.

But to approach this book in an effort to learn in some academic fashion would be to miss the point entirely, to succumb to primitive or “prelogical” thinking. Ms. Thompson’s goal is neither to validate one theory or another, nor is it to dismiss as trite any nuance of thoughtful assumption. During an e-mail exchange about the book she offered this insight: ” . . . it isn’t all about love and romance . . . it’s about” an ascension upon “your own personal ladder, of knowing who you are, what you are, why you are on this earth.”

The overtones should not be mistaken for being dogmatic or religious. Quite the contrary, actually. The intense experiences shared rise upon one common foundation: spirituality. If you can’t separate the two concepts—spirituality and religion—then you likely won’t properly understand the more ephemeral yet unmistakable truths the book contains.

Those possessing a more logical bent will undoubtedly hew toward the rationalization of soul mates as contrived personal mythology. But again, you must open mindedly approach the theme of souls as a matter of inherent emotion, not logic. A myth can only be a myth if you don’t believe it, that is, if you stand outside it in some manner. If you stand inside a myth it embodies something different—it becomes divine truth. Somewhere in-between those liminal stages is the emotional singularity we refer to as our soul.

Romancing The Soul is an invitation to explore, via flesh-and-blood testament of others, perhaps the most profound intrigue of enlightened man—a puzzle which only the individual can truly answer: Is there a kindred spirit for me, a duality of contra-gender invisibly fused into the profound purity of Oneness?

The answer is never handed to us on a silver platter; we must attentively seek it if we truly desire such wisdom. Ms. Thompson, et al., summon those who pursue such knowledge of transcendence and ask only for them to read with an open mind . . . and an open heart. Plato proposed the idea that humans are of two minds: one for thinking and reasoning, and the other for emotion and passion. Arguably the evidence presented in Romancing The Soul leans heavily in favor of the latter, yet is wrapped firmly in tensile strength of deeper intuition — the ‘you just know’ factor.


Ready to read it? You can find Romancing the Soul at:
Amazon
Zumaya Publications
• In eBook form from FictionsWise

A review copy of Romancing the Soul was kindly provided by the author, Dorothy Thompson. My thanks to her and Zumaya Publishing for the opportunity to participate in the virtual tour.

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Soul Mates painting by Rahul MalpaniMythology is rich with allusion to the bond men and women share. Many cultures have myths depicting an initial male/female pairing which produced mankind. In others, such as some Hindu myths, man and woman are initially one entity, not so much human as an essence, which eventually splits in two—those two halves wind up in a life long search for one another to attain the completeness they once shared.

Ever had that feeling after seeing, or just being in a persons presence, that there is something deeper that resonates more than you could possibly describe? A yin to your yang? Moon to your sky?

Greek mythology tells us of Orpheus, a man who so loved his wife that he traveled into the underworld to petition Hades, god of the underworld, for the release of her soul. Orpheus, perhaps the best lyre player in the Greek pantheon, was said to have learned his skill for playing the lyre from Apollo. It is told that as he played for Hades the normally immovable god was moved to tears. So enchanted was he that Orpheus was granted his wife’s release, but only upon one condition: he could not look back to see if she was following until they had completely exited. Orpheus, during the arduous trek back to the entrance, had plenty of time to convince himself that Hades was tricking him. He kept his eyes forward until almost the very moment he reached the exit, but having not heard or received any sort of sign his beloved was behind him he turned to look behind, only to see his love be dragged back into the underworld forever.

We’ve all felt that at some point, right? That tragic heartbreak. Each of us, at some level, knows that gut wrenching feeling that feeds on an almost never ending series of questions and self-doubt—What if I would have not said a word? What if I had remained calm? Why didn’t I act differently? Orpheus’ loss is perhaps a direct metaphor for our own regrets.

Carl Jung believed that later in life, once we are past young adulthood, we spend the remainder of our lives trying to understand, to get in touch with, our unconscious, that we make choices based upon this drive to become more familiar with a part of us we know little about. Is that place where our better halves reside? Why do they seem so utterly elusive?

A fascinating correlation, and certainly not anything resembling an answer—this very connection Jung attributes to the inner part of one’s personality is known as the animas for men, the animus for women. It is possibly the deepest part of us, the very core of what we strive to understand and connect with; for men, our feminine side, our animas; for women, their masculine side, their animus. Perhaps this very concept is why an individual so deeply resonates with us. Perhaps they are most closely connected to our core than others.

The question then seems to be: Are they—our soul mate, if you will—impossible to find? Should we simply settle for something good instead of great?

Or are they—as I believe—simply within reach and waiting for our touch, and we for theirs.

Contemporary romanticism or fallacious mythology?

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